All About Brad Pitt’s Rumored New Girlfriend Ines de Ramon, Who He’s Been Dating for ‘a Few Months’

Just weeks after Brad Pitt was rumored to be seeing Emily Ratajkowski (who is now reportedly dating Pete Davidson), the 58-year-old actor may have a different new woman in his life. The Daily Mail ran photos of Pitt at a Bono concert on Sunday night (November 13) with Ines de Ramon, a 32-year-old Swiss jewelry professional. The Daily Mail claimed it was informed by sources that de Ramon was part of Pitt’s team. People, meanwhile, reported that de Ramon works for the jewelry brand Anita Ko. Her LinkedIn lists her position as vice president of the company.

In photos, Pitt appeared putting his arms on de Ramon, and introduced her to his friends there, including Cindy Crawford. De Ramon is recently single herself, having separated from her husband, Vampire Diaries actor Paul Wesley, in September.

Reports on her relationship status with Pitt are a little conflicting at this point, with People reporting them as dating and E! reporting they’re just friends.

Either way, she and Pitt are close. So, who is de Ramon? Here, the essentials and all the details on her connection to Pitt.

De Ramon and Pitt first sparked dating rumors in November when they attended a concert together.

While neither de Ramon nor Pitt have commented on reports that they’re dating, The Daily Mail ran photos of them at a Bono concert together on November 13. The outlet reported they arrived together in Pitt’s Tesla at 8 P.M. They left separately, de Ramon in Pitt’s bodyguard’s SUV and Pitt in his Tesla.

On November 16, a source told People that the two have been secretly dating for months.

Interestingly, the source was indicated as close to de Ramon rather than Pitt. The source said, “[they] have been dating for a few months,” and that “Brad is really into” de Ramon. “They met through a mutual friend. She is very nice.”

A second source, this one close to Pitt, confirmed they were dating, but casually. “[They] recently started dating. [But] it’s not an exclusive relationship. Ines is cute, fun and energetic. She has a great personality. Brad enjoys spending time with her,” the source said.

A source told E! that same day, meanwhile, that Ines is “a friend of his.” Of the dating rumors, the source added, “This has been assumed in the past and has been wrong.” Hmm…

De Ramon separated from her husband Paul Wesley in September.

Pitt isn’t the only actor that de Ramon has been with. De Ramon and The Vampire Diaries’ Paul Wesley announced their separation after three years of marriage in September 2022. Wesley and de Ramon were first romantically linked in July 2018.

A rep for the couple told People in September that “they have separated” and have been living apart for several months. “The decision to separate is mutual and occurred five months ago. They request privacy at this time,” the rep added.

De Ramon speaks five languages.

De Ramon is a graduate of the University of Geneva, earning her bachelor’s in business administration. Her LinkedIn indicates that she speaks five languages, with French, English, and Spanish indicated at a bilingual or native proficiency, and German and Italian listed at a professional working proficiency. Prior to working at Anita Ko in Los Angeles, de Ramon spent four years working in the retail department of jewelry company de GRISOGONO.

De Ramon’s Instagram is currently private.

Following news that she and Pitt may be dating, de Ramon appeared to set her Instagram to private. De Ramon has appeared before on Wesley’s Vampire Diaries co-star Nina Dobrev’s Instagram when she and Wesley were still together.

 

 

A source told E! that same day, meanwhile, that Ines is “a friend of his.” Of the dating rumors, the source added, “This has been assumed in the past and has been wrong.” Hmm...

De Ramon separated from her husband Paul Wesley in September.
Pitt isn’t the only actor that de Ramon has been with. De Ramon and The Vampire Diaries’ Paul Wesley announced their separation after three years of marriage in September 2022. Wesley and de Ramon were first romantically linked in July 2018.

A rep for the couple told People in September that “they have separated” and have been living apart for several months. “The decision to separate is mutual and occurred five months ago. They request privacy at this time,” the rep added.

De Ramon speaks five languages.
De Ramon is a graduate of the University of Geneva, earning her bachelor’s in business administration. Her LinkedIn indicates that she speaks five languages, with French, English, and Spanish indicated at a bilingual or native proficiency, and German and Italian listed at a professional working proficiency. Prior to working at Anita Ko in Los Angeles, de Ramon spent four years working in the retail department of jewelry company de GRISOGONO.

De Ramon’s Instagram is currently private.
Following news that she and Pitt may be dating, de Ramon appeared to set her Instagram to private. De Ramon has appeared before on Wesley’s Vampire Diaries co-star Nina Dobrev’s Instagram when she and Wesley were still together.
A source told E! that same day, meanwhile, that Ines is “a friend of his.” Of the dating rumors, the source added, “This has been assumed in the past and has been wrong.” Hmm...

De Ramon separated from her husband Paul Wesley in September.
Pitt isn’t the only actor that de Ramon has been with. De Ramon and The Vampire Diaries’ Paul Wesley announced their separation after three years of marriage in September 2022. Wesley and de Ramon were first romantically linked in July 2018.

A rep for the couple told People in September that “they have separated” and have been living apart for several months. “The decision to separate is mutual and occurred five months ago. They request privacy at this time,” the rep added.

De Ramon speaks five languages.
De Ramon is a graduate of the University of Geneva, earning her bachelor’s in business administration. Her LinkedIn indicates that she speaks five languages, with French, English, and Spanish indicated at a bilingual or native proficiency, and German and Italian listed at a professional working proficiency. Prior to working at Anita Ko in Los Angeles, de Ramon spent four years working in the retail department of jewelry company de GRISOGONO.

De Ramon’s Instagram is currently private.
Following news that she and Pitt may be dating, de Ramon appeared to set her Instagram to private. De Ramon has appeared before on Wesley’s Vampire Diaries co-star Nina Dobrev’s Instagram when she and Wesley were still together.

A source told E! that same day, meanwhile, that Ines is “a friend of his.” Of the dating rumors, the source added, “This has been assumed in the past and has been wrong.” Hmm...

De Ramon separated from her husband Paul Wesley in September.
Pitt isn’t the only actor that de Ramon has been with. De Ramon and The Vampire Diaries’ Paul Wesley announced their separation after three years of marriage in September 2022. Wesley and de Ramon were first romantically linked in July 2018.

A rep for the couple told People in September that “they have separated” and have been living apart for several months. “The decision to separate is mutual and occurred five months ago. They request privacy at this time,” the rep added.

De Ramon speaks five languages.
De Ramon is a graduate of the University of Geneva, earning her bachelor’s in business administration. Her LinkedIn indicates that she speaks five languages, with French, English, and Spanish indicated at a bilingual or native proficiency, and German and Italian listed at a professional working proficiency. Prior to working at Anita Ko in Los Angeles, de Ramon spent four years working in the retail department of jewelry company de GRISOGONO.

De Ramon’s Instagram is currently private.
Following news that she and Pitt may be dating, de Ramon appeared to set her Instagram to private. De Ramon has appeared before on Wesley’s Vampire Diaries co-star Nina Dobrev’s Instagram when she and Wesley were still together.

 

View this post on Instagram

 

A post shared by Nina Dobrev (@nina)

One photo of her remains on her ex-husband’s Instagram too:

 

View this post on Instagram

 

A post shared by Paul Wesley (@paulwesley)

De Ramon has managed to keep public information about herself very limited, despite her marriage to Wesley and current rumored ties to one of Hollywood’s biggest stars. Pitt is likely to guard details of their relationship too, should it continue or become more serious, as the actor has not spoken much about any particular woman he has dated following his 2016 divorce from Angelina Jolie.

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Related News: New Mickey Mouse documentary revisits the Disney icon’s controversial early years: ‘Mickey’s not necessarily a good guy in those cartoons’

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New Mickey Mouse documentary revisits the Disney icon’s controversial early years: ‘Mickey’s not necessarily a good guy in those cartoons’

He may have hit the big 9-5 in calendar years, but Mickey Mouse is forever young in the hearts of kids, parents, grandparents and even great-grandparents. The signature creation of Walt Disney — and his oft-forgotten collaborator, Ub Iwerks — long ago went from being a humble cartoon mouse to the symbol of a global corporation that has an outsized influence on global pop culture. That evolution is chronicled in the new documentary, Mickey: The Story of a Mouse, which premieres today on Disney+ and depicts the tension between Mickey the Mouse and Mickey the Mascot.

“I liked Mickey as a kid, but I liked him because he was my nightlight,” admits the the film’s director, Jeff Malmberg. “Growing up in the ’80s, Mickey was a corporate logo and a greeter at the Disney theme parks. But the film character was really missing when I was a kid.”

The Story of a Mouse sets out to remind audiences of Mickey’s character … which also means reckoning with the more controversial aspects of his nine-decade history. Following his breakout appearance in 1928’s “Steamboat Willie” — one of the earliest cartoons to feature synchronized sound — Disney and Iwerks’s mouse starred in a series of cartoon shorts in the late ’20s and early ’30s that are very much the product of their times and feature a version of Mickey who is much more ribald and rude than he later became.

Not only is he seen wearing blackface in 1933’s “Mickey’s Mellerdrammer” — where he and his cartoon pals stage a version of Uncle Tom’s Cabin — but he also forced himself on his longtime companion, Minnie Mouse, in shorts like 1929’s “Plane Crazy.” While Malmberg includes those offending moments in The Story of a Mouse, the full versions of those early Mickey Mouse cartoons are unsurprisingly unavailable to watch on any official Disney platform, including Disney+, although most of them can be found on YouTube.

“I can understand how some of those films may be offensive today,” admits legendary Disney animator, Eric Goldberg, who has drawn Mickey in multiple contemporary cartoons, including the era-spanning “Mickey in a Minute,” which is seen in The Story of a Mouse. “I absolutely get it. But I think you have to put them in their context of where society was when those films were created and understand that they were a reflection of who we were at a certain time in history. I prefer for them to be seen, but I can understand why they’re not.”

Two of the biggest proponents for making those early Mickey shorts available are esteemed art historian, Carmenita Higginbotham, and pioneering animator, Floyd Norman, both of whom are Black. “I love Mickey in the ’20s and ’30s,” Higginbotham, Dean of the Virginia Commonwealth University School of the Arts, tells Yahoo Entertainment. “That’s where you have some incredible risk-taking, and a place where we get a sense of him as a personality. Against the backdrop of the Great Depression, he becomes this necessary figure. And I also love his being in everyone’s face and his perseverance! Those are qualities that really resonate with me.”

“Mickey’s not necessarily a good guy in those cartoons,” she continues, noting that Warner Bros. has released some of the studio’s older Looney Tunes shorts on Blu-ray with statements warning of offensive or dated content. “Because of that you can really understand and read how issues of sexism and racism are playing out in a public context in that era. And all through physical humor. I’m an art historian, and I believe that art should be made accessible with the right context. They are cultural artifacts.”

Norman, meanwhile, is the only animator interviewed for The Story of a Mouse who actually knew Walt Disney. Born in 1935, he learned to draw after watching classics like Bambi and Dumbo and later became the first Black animator to work at the Mouse House, joining the company in 1957 — nine years before Disney’s death. “Walt was already legendary by the time I arrived at the studio,” Norman remembers. “I was able to observe him pretty close at hand and got to know the man. You realize just how much Walt Disney was the perfect representation of Mickey Mouse. He was the ultimate optimist, incredibly resourceful and a remarkable leader. And Mickey Mouse was all of those things.”

Having had that one-on-one experience with Disney — who voiced Mickey Mouse in all of those early cartoons — Norman understands that he was a man of his time, and the content of those shorts reflects that. “It was a different world, and a different time,” he observes. “There are a lot things we probably regret, and mistakes we’ve made. But I don’t believe in hiding history: we should all learn from history.”

“Looking back at the past, you recognize that the world has changed, and the culture has changed, but that doesn’t mean what happened back then should be censored or hidden from view,” Norman continues. “We should know about these things. If the studio wants to put a disclaimer at the head of those cartoons, I have no problem with that.”

But The Story of a Mouse doesn’t just tell the story of Mickey’s past — it also speculates about his possible future within the halls of Disney. Certainly, Mickey remains a major star at all of the Disney parks, and in merchandising. But in recent years, he’s also made a comeback as an animated personality. Young viewers are introduced to him in the pre-school friendly Disney Junior series, Mickey Mouse Clubhouse, which lives on in re-runs years after it stopped producing original episodes. And Disney+ has found success with The Wonderful World of Mickey Mouse, a streaming series that launched in 2020 and features a more retro version of Mickey in both appearance and attitude.

For Goldberg, those examples prove to him that Mickey remains a “living, breathing” character beyond the frozen face that greets visitors as they walk into Disneyland or Disney World. “He is alive to use,” the animator says. “Mickey is a character with a particular personality, and a particular way of moving. We treat Mickey like he’s always in the present, not somebody who has been frozen in time. Any new piece of animation we do with the character reflects that.”

“Last year, we did a large piece of animation for the 50th anniversary of Disney World, and it was missing Mickey,” Goldberg continues. “We were told we needed to include him, and so we animated two minutes feature him for this show. And the response was fantastic! Everybody was like, ‘Hurray, there he is!’ So it’s not like the character has gone away or is in retirement: he’s still here and present for people.”

That said, it doesn’t appear that Disney has any immediate plans for a Mickey-centric feature film, at least none that they’d share with Malmberg and his producer, Meghan Walsh. “We haven’t been privy to that information,” Walsh says, laughing. “I’ll be the first person to be excited to see what’s coming. I remember watching the [2013 cartoon] “Get a Horse” before Frozen and that made a strong imprint on my mind years before this documentary. What they’ve done in the past ten or so years has been really cool from my perspective.”

For his part, Norman thinks that the timing is right for a new Mickey Mouse feature. “Mickey is a viable star,” he notes. “He sells tickets at the box office, there’s no doubt about that. He’s not going anywhere: he’s forever a part of the Disney studio and a part of our lives.”

As The Story of a Mouse notes, there will soon come a time when Mickey Mouse transitions from exclusive Walt Disney Company property into the public domain. That’s an inevitability that the corporation has so far managed to successfully postpone, most famously via the Copyright Term Extension Act that Congress passed in 1998. Famously introduced by then-California Congressman, Sonny Bono — who died in a skiing accident before it was signed into law — the bill extended the clock on copyrighted characters, including Disney’s menagerie of creations. Because Disney executives lobbied extensively for the bill, it’s since become known as the “Mickey Mouse Protection Act.”

But that extension is finally running out. On January 1, 2024, “Steamboat Willie” will enter the public domain, and that iteration of Mickey Mouse will be fair game for other artists to use without fear of legal repercussions. (Disney will still hold the copyright to later versions of Mickey, though.) In the past, the company has challenged individuals and companies that have used Mickey’s image without permission — including one famous case involving a day care center — and a spokesperson suggests to Malmberg in the documentary that the company has perhaps been too aggressive in that regard.

“I’m glad we were able to talk about that,” the director says. “This is far from an independent documentary: we are serving at the pleasure of the Disney Corporation. Within that, you have to have very firm lines in the sand of things that you want to talk about and things that you need to talk about. Copyright was one of them.”

Higginbotham, for one, is excited to see the art that a public domain Mickey inspires. “It’s going to be really interesting when that symbol goes worldwide and without restriction,” she notes. “How is that going to change how we understand what Mickey means? Right now, he is largely a symbol and not in the way he was in the ’30s.”

There’s a chance that Mickey might even return to his controversial ’30s roots. Next year, moviegoers will have the chance to see the new horror film, Winnie the Pooh: Blood and Honey, a gory horror movie starring A.A. Milne’s classic childhood character, who entered the public domain in January. (Disney continues to own the copyright to its version of Winnie the Pooh.) That means that an R-rated horror movie version of “Steamboat Willie” — with Mickey making like Jason Voorhees and Michael Myers and slicing-and-dicing his victims — could hit screens as early as 2025.

Asked how he’ll feel if a Mickey Mouse slasher movie goes into production, Norman just laughs. “You never know what’s going to happen when you let the cat out of the bag,” he says. “I’ll be watching, though! I’ll be watching.”

Mickey: The Story of a Mouse is streaming now on Disney+

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Musk Says Twitter Has Reinstated Kathy Griffin, Jordan Peterson and Babylon Bee — but No Decision on Donald Trump Yet

Elon Musk, in the middle of a crisis of his own making after hundreds of Twitter employees quit following his demand they commit “hardcore” to toiling at the company, found the time to pardon comedian Kathy Griffin for the crime of impersonating the tech tycoon.

Griffin was suspended from Twitter in early November after she changed her account name to “Elon Musk” and used his pic for her profile. Griffin took over the Twitter account of Maggie Griffin, her late mother, after being banned and has continued to troll Musk. On Friday, she responded from that account, “Dear Eilon. You f**ked up, fool. I’m going downstairs to my basement of heads. You’re up. Xxoo, The Beheader.”

As for whether or not to let Donald Trump back on Twitter, Musk said, a “decision has not yet been made.” Trump was permanently banned from Twitter and other mainstream internet platforms in early 2021 for his posts supporting the Jan. 6 rioters who attacked the U.S. Capitol.

Musk has accused Twitter of censoring conservatives and he has previously said he would reverse Twitter’s permanent ban on Trump, calling it a “morally bad decision.” Trump has previously insisted he would not rejoin Twitter, regardless of who owns it, to stick to his own (ironically named) Truth Social, a Twitter knockoff.

In addition to reinstating Griffin — whose first name he misspelled as “Kathie” — Musk also said author Jordan Peterson (which he misspelled as “Jorden”) and satire site Babylon Bee have had their Twitter accounts restored.

Peterson, a right-wing Canadian psychologist, was suspended in June 2022 under Twitter’s rules prohibiting hateful conduct after he tweeted, “Remember when pride was a sin?” He then deadnamed Elliot Page, the actor who in 2020 announced that he is transgender, and said that Page’s “breasts [were] removed by a criminal physician.”

In March 2022, Twitter suspended the right-wing Babylon Bee, also under the company’s “hateful conduct” policy, after the publication announced that it had selected Dr. Rachel Levine, a transgender woman who is U.S. Assistant Secretary for Health, as its “Man of the Year.” The website bills itself as “your trusted source for Christian news satire.”

In response to a Twitter user who exhorted Musk to “bring back Alex Jones,” the

conspiracy-monger who has been ordered to pay nearly $1.5 billion to families of victims of the Sandy Hook school shooting, Musk replied, “No.”

Musk, shortly after he closed the $44 billion Twitter takeover on Oct. 27, said the company would create a content-moderation council with “widely diverse viewpoints” and that “no major content decisions or account reinstatements will happen before that council convenes.” It’s unclear whether such a council was formed.

Upon completing the Twitter deal, Musk fired the senior management team and laid off 50% of its 7,500 employees. On Thursday, more than 1,200 employees quit over Musk’s “hardcore” workplace fiat, the New York Times reported. That would leave around 2,500 staffers remaining, about one-third its previous headcount.

In a thread Friday, Musk said Twitter’s new policy ensures “freedom of speech, but not freedom of reach.”

According to Twitter’s CEO, that means “negative/hate tweets will be max deboosted & demonetized, so no ads or other revenue to Twitter.” He added, “You won’t find the tweet unless you specifically seek it out, which is no different from rest of Internet.”

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Communicating as a Founder

Founders are leaders, and communication is one of the essential aspects of leadership. As a founder, you must communicate effectively with your team, investors, employees, clients and possibly other co-founders. It is immeasurably how much honing good, efficient and effective communication skills will help run your business or start-up. In this post, I will talk about good communication, why you need it as a founder, and how you can improve at it.

 

What makes communication suitable?

Good communication involves exchanging information so that words are not just spoken, but the emotion and context are adequately exchanged. Good communication also involves listening and making the other person feel heard, understood and part of the team.

Why is good communication important?

As a founder, you need to be able to communicate in such a way that leaves people fully understanding of what you say. Your goal is to solve problems, and so your communication should not create the problem of misunderstanding. 

How can you improve your communication skill?

 

There are a number of essential aspects of communication that you can put into your repertoire or improve on, but I will only talk about 5 critical points that, if you work on, will instantly make you a better communicator.

  1. Plan your communication.

Founders are often charismatic people who feel they can spontaneously talk about anything whenever the need arises. While that is an excellent skill, it is imperative to plan what you want to say to stakeholders (investors, team, employees, etc.) in your start-up. Planning automatically infuses a sense of direction. Planning what you want to say, how you will say it and when to say it can make a world of difference in how it is received. It is also great to use help whenever you need it. 

  1. Learn to listen.

One big mistake we often make is being so convicted by our thoughts that we do not allow the opinions of others. This trait can be good for a one-person sport but can be detrimental to a team. You always want the people you work with and those who work for you to feel like they’re part of your dream, that way, they can give their optimum effort. Not listening to the input of others can make them feel isolated and leave you looking like a tyrant. 

  1. Pay attention to tone.

Whether speaking or writing, being aware of tone is an essential communication skill. The tone of communication carries the presence of context, the varying levels of urgency, intentionality and attention. Taking tone into account when you communicate will ensure you aren’t just sending a message filled with words but also one filled with the intended emotions. 

  1. Understand your audience.

Every audience isn’t the same, and an intelligent founder is one who is aware of who they’re speaking to and tailoring the conversation to the audience. One tone might be good for Team A but would have no effect or be bad for Team B. Sometimes, it is just timing and taking cognisance of the mood. Understanding your audience and reading their response as you communicate is pertinent as it will be what determines if you’re carrying them along in your vision.

  1. Confidence is key.

 Your start-up is a ship, and every ship needs a captain. You are the captain of your start-up, and everybody looks up to you for leadership. When you communicate with members of your start-up, you need to convey confidence. Your team shares your energy as the leader of the group, so it is vital that the energy is positive and confident.

So that’s it, five easily applicable ways to help you get better at communicating as a founder. Working on these things would make you a better communicator, help convey your vision better to investors and workers, and help you better solve problems and scale your start-up.

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TikTok’s “Ironic” Thinspo Is a Dangerous Corner of the App

A thin, dark-haired girl stands in her bedroom showing off her bloated stomach. A funny audio screams over her video, “You skinny bitches are evil and you need to be destroyed!” Then she transitions to another clip, one where her flat stomach has returned. “And them big fat bitches will burn in hell,” the rest of the sound plays.

The contradictory messages of this post by @supercoollibragirl—which has two million views—are the subject of debate among its more than 4,000 commenters who argue about its intent: Is the young woman humblebragging about her thinness? Or putting herself down for being fat? Some say they love her “confidence” and “y’all are just jealous, she looks great.” Others reassure her that “she’s allowed to have her own insecurities.” Then there’s an overall consensus of wanting “this trend to be buried.”

But what is this trend?

It’s one of the many so-called “body-checking” trends that have plagued social media sites for years and now can be seen on TikTok. Body checking is when users draw attention to the size and shape of their bodies, usually as a way to show off their thinness. In one of the most infamous body-checking trends from 2013, people stood with their knees together to show they were skinny enough to have a “thigh gap.” A decade ago, Tumblr and Instagram became notorious sites riddled with posts that glamorized anorexia and disordered eating. History repeats itself, and old trends have resurfaced to a fresher and naive audience on TikTok with #bodychecking reaching 5.5 million views on the platform.

What is interesting about TikTok’s new wave of body checking is that these videos often try to mask what they’re really about, burying their messages in irony and sly humor. Tonally, it’s very Gen Z, which accounts for 60 percent of TikTok’s users, who are between the ages of 16 and 24.

The problem of social media’s impact on young people’s body image blew up in the news in 2021 with the revelations of the Facebook whistleblower, Frances Haugen, a former product manager for the company. “Thirty-two percent of teen girls said that when they felt bad about their bodies, Instagram made them feel worse,” a leaked presentation slide said. Facebook knew that Instagram was making eating disorders and suicidal ideation worse in teenage girls, Haugen told 60 Minutes.

Trump Is Losing Major Donors Less Than a Day After Announcing 2024 Bid

It’s the morning after Donald Trump’s 2024 campaign announcement and major donors are already running for the hills. Blackstone co-founder and CEO Stephen Schwarzman declared that he will not be backing Donald Trump in his renewed bid for the presidency. Schwarzman is the second high-level Trump donor to say he’s taking his money elsewhere in the last two weeks.

In a statement to Axios announcing his decision, Schwarzman indicated he believes “it is time for the Republican Party to turn to a new generation of leaders and I intend to support one of them in the presidential primaries.”

Last week, Citadel’s billionaire founder Ken Griffin revealed to Politico that he is dropping his support for the former president and instead endorsing Florida Governor Ron DeSantis if he chooses to run. “For a litany of reasons, I think it’s time to move on to the next generation,” Griffin explained. Asked about his potential support for DeSantis replied that “the bigger question is, is he going to run? That bridge has to be crossed.”

Donors defecting to a potential DeSantis campaign has weighed heavily on Trump’s mind, and is a likely factor in the growing tension between the Florida GOP titans. DeSantis has been raking in millions from wealthy donors who were integral to Trump’s campaigns, and ass Rolling Stone reported in June, Trump has been worried over DeSantis’ growing popularity, fearing donors were eyeing “a newer, fresher face.” Despite DeSantis having yet to announce any intent to run, Trump has been publicly lashing out at his – still completely hypothetical – rival.

Trump spent the last days of campaigning before the midterms throwing jabs at DeSantis, dubbing him “Ron DeSanctimonious” in front of a crowd in Pennsylvania, and leaving him off the guest list of a Miami rally. More insidiously, the former president has been soliciting inflammatory gossip on the Florida governor, and indicating that he’s willing to air out whatever dirty laundry he finds.

The loss of major donors is an inauspicious start for a president whose own party may be eying the exits of Trumpism. Following a lackluster performance by Trump-endorsed candidates in the midterm elections, the party seems fully engaged in a come-to-Jesus (or at least run-from-Don) moment of introspection about their former president’s role in the party’s future.

On top of that, the formal announcement of his re-election campaign will bring significant changes to Trump’s operation. He can no longer freely use the slush fund of political action committee cash he accumulated over almost two years of pseudo-campaigning and skirting campaign finance laws. The money could legally fund just about everything Trump did – except a campaign. Trump now faces the prospect of convincing the big wallets that the political winds are in his sails, an especially difficult task considering he couldn’t even convince all of hischildren to attend his campaign announcement.

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Megan Thee Stallion, Ye, Rosalía, Elton John, ‘Bruno’: Biggest snubs and surprises of the 2023 Grammy nominations

The nominations for the 65th Annual Grammy Awards were announced Tuesday morning, with many of the presumed favorites — Kendrick Lamar, Adele, Harry Styles, Lizzo, Brandi Carlile, Taylor Swift, Beyoncé and Bad Bunny — dominating.

The latter two are especially significant. Beyoncé, who leads this year’s nominees with nine for Renaissance, now has 88 total nominations to her credit, which puts her in a tie with her husband, Jay-Z, for the most noms of all time. Additionally, the Album of the Year nod for Bad Bunny’s Un Verano Sin Ti marks the first time that a Latin music album has ever been nominated in that “Big Four” category.

That being said, there were still many head-scratchers and jaw-droppers among the awards’ whopping 89 categories, which will be presented Feb. 5, 2023 at the Crypto.com Arena in Los Angeles. Below are the biggest snubs and surprises.

SNUB: The Academy doesn’t talk about Bruno

Encanto did receive nominations for Best Compilation Soundtrack for Visual Media, Best Score Soundtrack for Visual Media and Best Song Written for Visual Media. But considering what a massive phenomenon Lin-Manuel Miranda’s Encanto song “We Don’t Talk About Bruno” was — it stayed at No. 1 on the Billboard Hot 100 for five weeks, a record for any tune from a Disney film — it’s shocking that it was passed over in the major categories, Record and Song of the Year.

Beyoncé, Kendrick Lamar, and Adele Top 2023 Grammy Nominees

Beyoncé, Kendrick Lamar, and Adele will all vie for multiple prizes at the 65th Grammy Awards, taking place on Feb. 5, 2023.

Beyoncé led all nominees this year, earning nine for her celebrated album, Renaissance. Lamar’s Mr. Morale and the Big Steppers helped him earn eight nominations, while Adele and Brandi Carlile tied with seven for their records, 30 and In These Silent Days, respectively.

All four of those artists, and their aforementioned albums, are up for Album of the Year, alongside ABBA’s comeback record Voyage, Mary J. Blige’s Good Morning Gorgeous, Coldplays’ Music of the Spheres, Lizzo’s Special, Harry Styles’ Harry’s House, and Bad Bunny’s Un Verano Sin Ti. The nod for Bad Bunny is particularly significant as it marks the first time an album from the Latin music field has ever been nominated for Album of the Year.

Beyoncé, Adele, Lamar, and Carlile are also up for Record of the Year for “Break My Soul,” “Easy on Me,” “The Heart Part 5,” and “You and Me on the Rock” (featuring Lucius), respectively. The rest of that category includes ABBA’s “Don’t Shut Me Down,” Blige’s “Good Morning Gorgeous,” Doja Cat’s “Woman,” Steve Lacy’s “Bad Habit,” Lizzo’s “About Damn Time,” and Styles’ “As It Was.”

And rounding out the big three categories, Song of the Year boasts “Break My Soul,” “Easy on Me,” “The Heart Part 5,” “As It Was,” “About Damn Time,” and “Bad Habit,” alongside Gayle’s TikTok hit “Abcdefu,” DJ Khaled’s monster posse cut “God Did,” Bonnie Raitt’s “Just Like That,” and Taylor Swift’s indomitable “All Too Well (10 Minute Version).”

As for the final major category — Best New Artist — there doesn’t seem to be a clear-cut favorite like Olivia Rodrigo last year (in fact, none of this year’s nominees are up for one of the other big three prizes). There’s also an interesting mix of genuinely new artists, but also some that have been around for a few years but may finally be “new” to Grammy voters: Anitta, Omar Apollo, Latto, Wet Leg, DOMi and JD Beck, Muni Long, Samara Joy, Molly Tuttle, Tobe Nwigwe, and 2021 Eurovision winners Måneskin.

While the big categories at the 2023 Grammys are stacked with heavy pop hitters, it seems inevitable that the narrative around next year’s show will distill down to Beyoncé and Adele. While Beyoncé is the most decorated female artist in Grammy history, she’s only won a major category once (Song of the Year for “Single Ladies”) and feels especially overdue for an Album of the Year award. Her last big chance to win Album, Song, or Record of the Year was in 2017 with Lemonade and “Formation” — but Adele ended up sweeping all three with 25 and “Hello.” (Adele even seemed put off by it all, spending a chunk of her Album of the Year victory speech raving about Lemonade.)

Even if Beyoncé doesn’t earn one of the major prizes this year, she’s still on course to make more Grammys history. Renaissance and “Break My Soul” offer up her first chance at taking home a prize in the Dance/Electronic categories. And if she wins four of the nine awards she’s up for, she’ll top Hungarian conductor Georg Solti to become the most decorated Grammy winner of all time.

Beyond the big narrative, however, the 65th Grammy nominations offer plenty to chew on. Bad Bunny’s historic Album of the Year nomination was accompanied by a look for Best Pop Solo Performance for “Moscow Mule,” as well as a Best Música Urbana Album for Un Verano Sin Ti. Mary J. Blige’s six nominations mark her first since 2015 and her first as a solo artist since she won Best Contemporary R&B Album in 2009 for Growing Pains. And last year’s Best R&B Album and Performance winner, Jazmine Sullivan, will be back for more, picking up nominations for Best R&B Performance and Song for “Hurt Me So Good,” as well as Best Traditional R&B Performance for “’Round Midnight” with Adam Blackstone.

In the pop categories, heavyweights like Lizzo and Styles will be up against the likes of Doja Cat, Camila Cabello, and Sam Smith and Kim Petras. ABBA — who scored a surprise nomination last year — will have another shot at finally winning their first Grammy with looks in Best Pop Duo/Group Performance and Pop Vocal Album categories. Meanwhile, over in country, Miranda Lamber, Maren Morris, Luke Combs, Ashley McBryde, and Willie Nelson will all compete for multiple prizes.

Drake — despite his pointed efforts to effectively boycott the Grammys by not submitting his work for consideration — is still up for Best Melodic Rap Performance and Best Rap Song thanks to collaborations with Jack Harlow (“Churchill Downs”) and Future (“Wait For U,” also featuring Tems). Gunna and Young Thug, who are both in prison while awaiting trial on alleged RICO Act violations, earned Best Rap Song and Performance nominations for their hit collaboration with Future, “Pushin P.” And Latto picked up a Best Melodic Rap Performance look for “Big Energy” to go along with her Best New Artist nod.

Megan Thee Stallion takes out restraining order against her label

Awards season can make or break an artist’s career, even one as established as Megan Thee Stallion—something the rapper evidently understands because she’s taking her label to court for getting in her way.

Megan (born Megan Pete) was recently granted a restraining order against her label, 1501 Certified Entertainment, and distributor, 300 Entertainment, after alleging that 1501 “unlawfully” attempted to “block or interfere with Pete exploiting, licensing, or publishing her music” in conjunction with the upcoming American Music Awards (airing November 20). Court documents obtained by Billboard claimed that Megan “will suffer irreparable harm if her music cannot be used in conjunction with her promotion for the AMAs.”

The documents do not go into detail about what 1501 allegedly did to block Megan from promoting her work, but it must have been serious as the court essentially granted her an emergency order “because there was not enough time to give notice to Defendants, hold a hearing, and issue a restraining order before the irreparable injury, loss, or damage would occur.”

This is just the latest installment in the rapper’s ongoing legal battle with 1501, which started back in 2020 when Megan alleged that the label’s founder had tricked her into signing a deal far below industry standards. This contract locked her into a three-album release, the definition of which became the subject of another lawsuit earlier this year. In August, Megan went to court yet again, this time over 1501’s alleged failure to pay the artist her due royalties.

While this latest legal victory must have been satisfying, Megan clearly has her eyes set on a slightly more fun trophy: Favorite Female Hip-Hop Artist at the AMAs. With a tight race that also includes Nicki Minaj and “WAP” collaborator Cardi B, the extra boost certainly can’t hurt.

The AMAs air Sunday, November 20.

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Nipsey Hussle’s Life Story to Be Told in a Docuseries Featuring Snoop Dogg, Diddy and Lauren London

Furthermore, the series will look into his rise to fame starting with his 2005 mixtape Slauson Boy before delving into the launch of his All Money In record label, Marathon Clothing store, Marathon Agency brand and co-working company Vector 90.

“It’s an incredible honor for SpringHill to have a part in sharing Nipsey’s story and legacy with the world,” said James, 37, in a press release about the docuseries. “He used his gift to give back to his community and lived what it means to inspire, empower, and uplift others along the way. His words, his ambition, and his actions stick with me to this day as he continues to inspire myself, our company, and people everywhere.”

In addition to London, 37, who shares a a 6-year-old child, Kross, with Hussle (whose real name is Airmiess Joseph Asghedom), other close individuals featured in the docuseries include family members such as the rapper’s older brother, Samiel “Blacc Sam” Asghedom.

Allen Berezovsky/Getty Lauren London and Nipsey Hussle

“Nipsey was a man of the people,” said Samiel in a press statement. “He often said his purpose in life was to inspire. Nipsey’s light shone across the world. His life is a testament that his purpose was fulfilled.”

Continuing his statement, Samiel assured fans that Hussle’s loved ones have been hands-on with the docuseries’ creative process. “The family has taken the proper time and care needed to ensure that Nipsey’s life story be detailed and presented correctly and accurately,” he said. “We are honored to be able to cement Nipsey’s legacy with this epic docu-series of his life. Nipsey said, ‘If they made a story about my life, it better be a classic.'”

A release date for the docuseries has yet to be announced.

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