Romeo and Juliet stars sue Paramount for alleged sexual exploitation over nude scene in 1968 film

Romeo and Juliet stars Leonard Whiting and Olivia Hussey are suing Paramount Pictures over a nude scene in the 1968 movie, which was filmed when they were minors.

In a complaint filed Dec. 30 in Santa Monica, Calif., and reviewed by EW, Whiting and Hussey, who were 16 and 15 at the time of production, accused the studio of exploitation, sexual harassment, fraud, sexual abuse, negligence, and the distribution of nude images of children.

The actors, who are now in their 70s, say they have suffered mental anguish and emotional distress in the five decades since the film’s release, and have lost out on job opportunities. According to the lawsuit, “Paramount owed a duty to protect their minor children employees from child and sexual exploitation.”

They are seeking damages “believed to be in excess of $500 million,” per the suit.

Everett Collection Olivia Hussey and Leonard Whiting in ‘Romeo and Juliet’

Representatives for Paramount didn’t immediately respond to EW’s request for comment Tuesday.

Hussey and Whiting’s complaint alleges that Romeo and Juliet director Franco Zeffirelli assured them there would be no nudity in the movie, and that they would instead wear flesh-colored undergarments to shoot an intimate scene between the titular star-crossed lovers. However, in the final days of filming, Zeffirelli allegedly encouraged them to film the bedroom scene nude with body makeup, or the movie “would fail.”

Hussey and Whiting also allege that Zeffirelli — who died in 2019 — misrepresented where the camera would be and filmed them naked without their knowledge. The finished film included images of Hussey’s breasts and Whiting’s buttocks.

“What they were told and what went on were two different things,” Tony Marinozzi, a business manager for both actors, told Variety. “They trusted Franco. At 16, as actors, they took his lead that he would not violate that trust they had. Franco was their friend, and frankly, at 16, what do they do? There are no options. There was no #MeToo.”

The lawsuit was filed under a California law that temporarily suspended the statute of limitations for claims of child sexual abuse.

Solomon Gresen, an attorney for Whiting and Hussey, told Variety, “Nude images of minors are unlawful and shouldn’t be exhibited. These were very young naive children in the ’60s who had no understanding of what was about to hit them. All of a sudden they were famous at a level they never expected, and in addition they were violated in a way they didn’t know how to deal with.”

Hussey has defended the nude scene in past interviews. In 2018, she told Fox News that it “was done very tastefully” and “wasn’t that big of a deal.”

Representatives for Hussey and Whiting didn’t immediately respond to EW’s request for comment.

Romeo and Juliet was a critical and commercial success at the time of its release, and was nominated for four Oscars. Hussey went on to appear in films such as Black ChristmasDeath on the Nile, and Undeclared War. Whiting’s subsequent film credits included The Royal Hunt of the SunSay Hello to Yesterday, and War Is Hell. The two also reunited in the 2015 film Social Suicide

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R. Kelly Silenced Aaliyah and Her Family With Non-Disclosure Agreement After Marriage Annulment, Docuseries Reveals

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R. Kelly Silenced Aaliyah and Her Family With Non-Disclosure Agreement After Marriage Annulment, Docuseries Reveals

R. Kelly silenced Aaliyah and her family through a non-disclosure agreement, following his marriage and subsequent annulment to the then 15-year-old singer.

The new allegations were made in the final installment of Lifetime’s “Surviving R. Kelly,” which aired on Jan. 2 and Jan. 3. The docuseries centered around R. Kelly’s 2022 federal trial where the NDA was brought up in the courtroom as evidence. The late Aaliyah was Jane Doe #1 in the trial.

“Surviving R. Kelly” utilizes Aaliyah’s story to spotlight her as a victim of R. Kelly, after years of the media and music industry scandalizing her marriage to the now-convicted singer in the 90’s.

Aaliyah’s debut album in 1994 was titled “Age Ain’t Nothing but a Number” and was recorded when she was 14-years-old. R. Kelly — who was Aaliyah’s mentor and was first introduced to her by her uncle, music executive and manager Barry Hankerson — was a lead songwriter and producer of the album. At the time the album was released, rumors circulated that there was a relationship between the 15-year-old Aaliyah and the 27-year-old R. Kelly.

The pair secretly married in August 1994. Aaliyah was 15 at the time, but the marriage certificate falsified her age as 18. The marriage was annulled by Aaliyah’s parents in Feb. 1995.

In “Surviving R. Kelly,” on-camera interviews with individuals from R. Kelly’s camp who were in the room when the duo wed express their regret over the marriage. Individuals who were close to both R. Kelly and Aaliyah share new details about the legal agreement that was allegedly forged between R. Kelly and Aaliyah’s family.

Members of Aaliyah’s family declined to comment to producers of “Surviving R. Kelly,” per a statement that aired as part of the Lifetime docuseries.

A childhood friend of R. Kelly and his former security, Gem Pratt, appears in “Surviving R. Kelly” and claims that Aaliyah’s father was furious over the marriage and forced the annulment. Pratt alleges that Aaliyah’s family had a contractual arrangement with R. Kelly that stated they wouldn’t press charges against him for the illegal marriage after it was annulled; in turn, R. Kelly sold the rights to his first three albums to Aaliyah’s family, giving them a financial incentive.

“Her dad didn’t want her anywhere near him,” Pratt says in the docuseries.

Various on-camera guests in “Surviving R. Kelly” described the marriage as a way to get R. Kelly to avoid jail time for statutory rape of a minor.

The final episodes of “Surviving R. Kelly” dedicate time to covering the enablers in R. Kelly’s camp, who turned a blind eye to his abuse over three decades and helped the convicted musician make arrangements to see his victims, including booking flights for underage girls to cross state lines for private meetings. One prosecutor who appeared as a legal expert in the docuseries described R. Kelly as “running a criminal enterprise.” Another expert said “everyone had a financial incentive to look the other way.”

“He couldn’t do this by himself. It’s impossible…It’s clear as day there were enablers,” said R. Kelly’s former security guard, Pratt. He later said, “This was not a one-man operation. Most people in that camp knew that a lot of these girls were underage. They had to.”

The NDA was brought up in R. Kelly’s New York trial in 2022, but did not receive widespread coverage. The use of NDAs has become a hot-button issue in sexual harassment cases, particularly in the workplace, highlighting an imbalance of power with the perpetrator or corporations silencing victims through forced legal documents.

Prior to R. Kelly’s trial, journalist Jim DeRogatis — the reporter who first broke news of R. Kelly’s sexual abuse more than two decades ago — uncovered the NDA that R. Kelly used against Aaliyah. A few years ago, DeRogatis spoke about the documents that were leaked to him, stating in an interview that the annulment and Aaliyah’s legal claim against R. Kelly had been sealed.

“It’s a harrowing document,” he said. “A non-disclosure agreement on both her part and Kelly’s, vowing not to pursue further legal claims for physical abuse. So, it wasn’t just an underage sexual relationship, he hit her, allegedly, according to that court document.”

Speaking to Variety about the final installment of “Surviving R. Kelly,” executive producer Jesse Daniels said that the producing team was careful not to exploit Aaliyah in the docuseries, and hoped to highlight the abuse she tragically endured by R. Kelly when she was a teenager. “We have had a lot of conversations about how to tell Aaliyah’s story every time because we really want to be respectful of her legacy. But what she went through, we can’t turn our backs on,” said Daniels.

Related Post: Southern hip-hop pioneer and former Three 6 Mafia member Gangsta Boo found dead at age 43

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Southern hip-hop pioneer and former Three 6 Mafia member Gangsta Boo found dead at age 43

Seminal Southern rapper and former Three 6 Mafia member Gangsta Boo was found dead in her Memphis home on the afternoon of New Year’s Day. The shocking news was first announced by Fox 13 Memphis and later confirmed in an Instagram post by Three 6 Mafia’s DJ Paul. The cause of death has not been revealed, but TMZ reports that her passing “appears to be drug-related” and police are launching an official investigation. She was 43 years old.

On New Year’s Eve, less than 24 hours before she died, Boo had posted a performance video on Instagram, writing: “Some of the things that I did in 2022! So fun and productive, climbed out my shell alot!! 2023 go be 23’n! #JORDAN #BOOPRINT #recap Happy New 2023 everyone!” In an interview with Billboard that ran just last month, Boo revealed that she was working on a new project, The BooPrint, which she hoped to release in early 2023.

 

 

 

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Ein Beitrag geteilt von Thee Gangsta Boo (@missyeahoe)

Gangsta Boo was born Lola Chantrelle Mitchell on Aug. 7, 1979, in the Whitehaven area of Memphis, Tenn., and began rapping at age 14. In 1994, when she was only 15 years old, she joined the influential hardcore/horrorcore collective Three 6 Mafia, becoming one of the group’s only female members (along with K-9) and staying with them for eight years, during which she appeared on their first five studio albums. In 2013, it was announced that Boo and fellow Three 6 Mafia members DJ Paul, Crunchy Black, Koopsta Knicca, and Lord Infamous had formed a new spin-off group, Da Mafia 6ix; Boo was prominently featured on Da Mafia 6ix’s debut mixtape, 6ix Commandments, which went to No. 34 on the Billboard Top R&B/Hip-Hop Albums chart upon its official retail release in 2014.

Boo also enjoyed a successful solo career, even before she left Three 6 Mafia in 2002. In 1998, she released her debut album, Enquiring Minds, which went to No. 15 on the Billboard R&B/Hip-Hop Albums chart and No. 46 on the Billboard 200. Her sophomore album, 2001’s Both Worlds *69, was even bigger hit, peaking at No. 8 on the R&B/Hip-Hop chart and No. 29 on the Billboard 200; this was followed two years later with her independent release, Enquiring Minds II: The Soap Opera.

Boo also released 10 mixtapes between 2006 and 2018 and was a sought-after collaborator, working with Eminem, OutKast, T.I., the Game, Gucci Mane, Lil Jon, Yelawolf, E-40, Krayzie Bone, Foxy Brown, Blood Orange, Tinashe, Latto, GloRilla, La Chat, Run the Jewels, and many others.

In her December 2022 Billboard interview, Boo was quite candid when discussing her influence on the male-dominated genre of hip-hop, for which she didn’t always receive proper credit. “Gangsta Boo walked so a lot of people could run,” she asserted. “I would honestly say that I have to admit, respectfully and humbly, that I am the blueprint. I hear my cadence in a lot of men and female rappers. … my sound is a Memphis sound. It’s a Gangsta Boo sound, it’s a Three 6 Mafia sound. So, I am the blueprint and I wear that badge proudly as f***. … I used to didn’t want to even give myself flowers because I’ve been so low-key and humble, but … it’s time to claim what’s mine.”

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