About eight years ago, in the vibrant streets of Lagos, a 27-year-old woman named Olajumoke Orisaguna was just another face in the crowd, earning her livelihood by selling bread. Little did she know that her life was on the brink of a remarkable transformation, propelling her from the anonymity of bread hawking to the radiant spotlight of fame.

Hailing from Ire, Osun State, Olajumoke had left her husband and daughter behind to seek a better life in Lagos. Enduring the harsh realities of street life – exposure to the elements, potential abuse, and the challenges of making ends meet – Olajumoke’s journey was the epitome of resilience.

However, fate smiled upon her when she inadvertently crossed paths with the talented photographer TY Bello and international hip hop star Tinie Tempah during a photo shoot in Sabo. What seemed like a mere photobomb turned into a stroke of genius, as TY Bello recognized the potential for a deeper narrative in juxtaposing the international musician with a bread seller.

This serendipitous encounter transformed Olajumoke into an overnight sensation. With her image gracing newspapers, international publications, and even being featured on CNN and the Huffington Post, Olajumoke’s story resonated globally.

In the wake of her newfound fame, corporate Nigeria embraced her. StanbicIBTC and PayPorte named her their brand ambassador, with StanbicIBTC going a step further by awarding scholarships to her two daughters. A construction company even gifted her a luxury apartment in Lagos. Olajumoke’s face adorned magazine covers, and she became a student at Poise Finishing School, an intern at two beauty salons, and a motivational speaker.

While her story is a testament to the magical quality of photography, there’s a touch of concern amid the celebration. The capitalist opportunism and brand exploitation surrounding her rise are evident. As the corporate world basks in the brand success, the individual, Olajumoke, deserves protection.

The potential pitfalls of transitioning from a humble bread seller to a high-profile model are not lost on those who genuinely care for her well-being. Her background and skills, honed on the streets of Lagos, may not be sufficient to navigate the cutthroat world of modeling.

Amidst the celebration, there is a plea for caution and genuine empowerment. Perhaps redirecting the spotlight to helping Olajumoke set up a small-scale business, ensuring a sustainable future beyond the glamorous façade, would be a more lasting impact.

As Olajumoke learns English, attends finishing school, and adapts to her new persona, there’s a silent concern for her husband, Sunday Orisaguna. The contrasts in their lives may strain their relationship. While Olajumoke transforms into a fashion icon, Sunday remains in his world of sliding doors, managing his one-day-me-too-go-jam-luck attires.

In the midst of the media frenzy, Olajumoke’s narrative is a poignant reminder of the societal gaps that perpetuate such stories. In a more equitable society, no young woman should resort to hawking bread for survival. Olajumoke’s fairy tale reflects what could have been, and the societal issues that have held many like her captive.

As the public celebrates the timeless Cinderella moment of Olajumoke Orisaguna, it’s crucial to remember that behind the glamour lies a woman with a unique story, facing a future that demands careful guidance and genuine support.