She donned a strapless, floor-length red Nicolas Jebran dress with ruched detailing down the bodice and a structured skirt with a thigh-high leg slit. The look was finished with some glitzy jewels by Lorraine Schwartz and a pair of strappy pointed Gianvito Rossi heels.
True matched her mom in a red Jebran dress with a jeweled Santa Claus purse and silver jeweled high-top sneakers, as her baby brother looked dapper in a black onesie.
The Good American co-founder shared the first glimpse at her baby boy — who, along with True, she shares with ex Tristan Thompson — for the first time during Halloween weekend last month.
In the first image, True smiles for the camera as she holds up her baby brother, who is dressed in a cute furry Tigger costume.
“Owlette and Tigger aka True and Baby Brother,” Khloé captioned the Instagram post, adding “(Shhhhh…. But I can’t wait for Halloween to be over).”
Khloé also posted a close-up of her son’s cute Nike high tops.
Though Kardashian has not revealed her infant son’s name, she did hint at it on the season 2 premiere of The Kardashians.
In the episode, which aired in late September, the mother of two shared that her baby’s boy name “is going to start with a T.”
“I mean, that’s really the only names I’ve been looking at,” Khloé told momager Kris Jenner during the interview. Jenner then chimed in with some name suggestions before offering one up that was quite familiar to the famous family.
If there are a couple themes to the past year in movies, they’d have to big swings and long runtimes.
Matt Reeves reinvented The Caped Crusader as an emo Bruce Wayne in the 176-minute-long The Batman. The directing tandem known as The Daniels made the best multiverse movie of the year (sorry, Doctor Strange) with the mind-bending Everything, Everywhere All at Once (140 minutes). Todd Field opens Tár (158 minutes), his first film in 16 years, with a 15-minute long Q&A with Cate Blanchett’s titular character. Ruben Östlund centered the entire second act of Triangle of Sadness (147 minutes) around explosive bodily functions on a luxury yacht. Steven Spielberg made his own biopic with The Fabelmans (151 minutes). James Cameron took 13 years to follow up Avatar with Way of the Water (192 minutes). Ryan Coogler had no choice but to go bold with certain decisions after losing his lead actor in Black Panther: Wakanda Forever (161 minutes). All make our list of the best films of the year.
Not every swing was a home run. We’re decidedly mixed on the frenzied, borderline-parody Elvis (159 minutes), Damien Chazelle’s cocaine-fueled Old Hollywood odyssey Babylon (189 minutes) and Andrew Dominik’s agonizingly depressing Marilyn Monroe story Blonde (166 minutes). But at least none of those ended up on our worst” list.
Here are our 25 favorite movies of 2022, and five for the birds. — Ethan Alter, Marcus Errico, Chrissy Nguyen, Kevin Polowy and Raechal Shewfelt
25. Barbarian
Not surprisingly behind the chills and jump-scares one of 2022’s most shocking horror movies: The Ring and It producer Roy Lee. Surprising: That it was all birthed from the mind of writer-director Zach Cregger, (previously) best known for his improv comedy stylings on The Whitest Kids U Know. Georgina Campbell stars as a woman whose rental home was double-booked. Campbell’s Tess decides to stay at the place anyway, albeit with a completely unknown man (Bill Skarsgård), leading to what can only be described as a gruesome, truly unnerving, very surprising nightmare. — R.S.
24. The Northman
After The Witch and The Lighthouse, maybe Robert Eggers didn’t want to be pigeonholed as the slow-burn folkloric horror guy. Because Eggers unleashed a can of fury on us with The Northman, his pulsating 136-minute fever dream of pure uncut revenge savagery starring Alexander Skarsgård as a Norse prince who goes full-tilt Inigo Montoya on the bastards that killed his father when he was but a wee viking boy. Nicole Kidman is in it, too, and she brings the fireworks. Focus Features gave Eggers upwards of $70 million to make Northman, but the film failed to crack even. Let us repent by all watching it at least 10 times on streaming. — K.P.
23. Smile
Sometimes the best horror movies come from the very simplest concepts. A shark stalks teens swimming in the ocean. A kid sees dead people. A videotape curses you to death if you watch it. In Smile, Parker Finn’s gloriously terrifying feature-length adaptation of his 2020 short film, it’s witnessing one spectacularly creepy smile that damns victims in a Ring-esque death chain. Come for the multitude of spine-tingling jump scares, stay for the gutsy performance of Sosie Bacon (daughter of Kevin Bacon, being psychologically tormented in nearly every minute of the film) as the psychologist desperate to break the cycle. Those smiley Trader Joe’s employees will never seem the same. — K.P.
22. Triangle of Sadness
Ruben Östlund (The Square) swears he’s not shouting “Eat the rich!” with his splendidly odd dark comedy about a feuding model couple invited onto a luxury cruise for obscenely wealthy. Part Parasite, part Captain Phillips, all Östlund, Sadness’s madness has become most famous for its extended (like super-extended) puke-and-poop sequence as spoiled seafood clashes with heavy turbulence, but it’s the film’s surprising third act — cleverly kept secretive in the marketing — that reaps the biggest rewards. What a voyage. — K.P.
21. The Batman
Robert Pattinson as an emo Caped Crusader… really? While not the most conventional casting, R. Battz delivers in Matt Reeves’s reimagined take on the iconic hero. The film leans into the character’s Detective Comics origins with the Dark Knight matching wits with Paul Dano’s twisted Riddler, trying to solve a series of grisly murders (inspired by the real-life Zodiac Killer) while navigating a romance with Zoë Kravitz’s proto-Catwoman. Unlike another would-be DC franchise launcher this year (*cough* Black Adam *cough*), we’re looking forward to spending plenty of time in The Batman’s expanding Gotham in the coming years. — M.E.
20. Fresh
What’s more terrifying than online dating? Well, according to Fresh, nothing. A Sundance breakout, this utterly delightful horror flick is anchored by Sebastian Stan’s unhinged performance as a charming cannibal who supplies victims’ meat to carnivorous gazillionaires. While Stan chews up scenery along with victims, co-star Daisy Edgar-Jones holds her own as his one female captive who refuses to end up on a serving plate. Chock full of twists and squirmy-gory meal prep, Fresh will make you think twice the next time you swipe right. — M.E.
19. Nanny
The big winner at this year’s Sundance Film Festival, Nikyatu Jusu’s debut feature confidently blends the real-life horrors of American domestic work with eerie elements borrowed from African folklore. Anna Diop’s mesmerizing star turn bridges the gap between the two worlds, capturing both the vulnerability that can accompany being a Black woman in white spaces and the resolve of an immigrant who refuses to be exploited. With methodical style and slow-burning tension, Nanny offers something more lasting than easy jump scares — it’s a plunge into psychological horror from a bold new filmmaking voice. — E.A.
18. Fire of Love
Talk about your fiery love stories. The award-winning documentary Fire of Love profiles married volcanologists Katia and Maurice Krafft, who criss-crossed the globe from one hot spot to another until their untimely deaths during Japan’s Mount Unzen eruption in 1991. Director Sara Dosa was granted full access to their archive, and unearths some of the most spectacular volcano footage ever to play on the big (or small) screen. But the beating heart of the movie is the lifelong partnership between the Kraffts, who lived — and died — their way. — E.A.
17. Hustle
Hustle combines two of Adam Sandler’s favorite things: sports, and continually proving to the world that he’s one of the best actors in the whole damn industry. Three years after delivering a career-best performance in the cinematic anxiety attack Uncut Gems (a performance apparently no one at the Academy saw), Sandler shines again as a scout for the Philadelphia 76ers who bets his livelihood on a diamond-in-the-rough prospect (Juancho Hernangomez) he discovers on the streets of Spain (there he is betting again). And it’s funny, it’s touching, it’s exhilarating. Hollywood has proven it’s not that difficult to make a good sports movie. But we weren’t expecting this one to be so great. — K.P.
16. The Unbearable Weight of Massive Talent
Nicolas Cage got a lot of attention, and rightfully so, for his stellar (if not reaching) performance as, well, Nic Cage in April’s unbearably great The Unbearable Weight of Massive Talent. It’s one of the national treasure’s best performances since we got double the Cage in Adaptation. But let it also be known that Weight is also one of the best bromantic comedies to come from Hollywood in years thanks to the deliriously fun chemistry between Cage and co-star Pedro Pascal. Everyone around them wants chaos; they just want to bro out and watch Paddington 2. — K.P.
15. Avatar: The Way of Water
This is the way… that James Cameron returns to Pandora and the top of the box office charts. The boundary-pushing filmmaker waited 13 years to release his follow-up to the 2009 global blockbuster, and the next-level visuals featured in The Way of Water proves that his army of tech wizards weren’t sitting around twiddling their thumbs. An enjoyable — if long — adventure on its own terms, the sequel also effectively lays the foundation for the next phase of the Avatar franchise, which Cameron promises “goes nuts.” As a certain cyborg once said — we’ll be back. — E.A.
14. Nope
Jordan Peele making an eerie homage to Steven Spielberg? Yes, please. Keke Palmer and Daniel Kaluuya give impressive performances as siblings who run their family’s animal wrangling business, while Steve Yeun plays a former child star who’s the sole survivor of a horrific on-set incident and Brandon Perea amuses as a tech operator. If you haven’t seen Nope yet, that’s really all you should know going into it. It’s fitting that Peele tried his hand at producing a Twilight Zone reboot, because Nope feels like the most cinematic, visually stunning Twilight Zone story ever told. — R.S.
13. Women Talking
Adapting Mariam Towes’s acclaimed 2018 novel, writer-director Sarah Polley retains the basic setting and narrative: a religious community where the female population (played by Rooney Mara and Jessie Buckley, among others) is seeking to leave after enduring a series of attacks committed by the men in their midst. At the same time, she also expands the book’s intimate canvas into a deeply moving parable for what one generation of women owes to another. Trust us: You’ll never hear “Daydream Believer” the same way again after Polley’s epic needle drop. — E.A.
12. All the Beauty and the Bloodshed
Before she very nearly became a statistic in the opioid epidemic, celebrated photographer Nan Goldin saw numerous family members and close friends die before their time. Laura Poitras’s remarkable nonfiction portrait connects Goldin’s personal history with her present-day activism, spearheading a campaign to hold the Sackler family accountable for their role in unleashing Oxycontin on the world. Even as her efforts succeed, Poitras reminds us in a devastating finale that full justice for the wealthy and powerful can remain elusive. — E.A.
11. The Menu
We’ll have what Ralph Fiennes and Anya Taylor-Joy are having. The former Voldemort and future Furiosa head up a sterling ensemble cast in Mark Mylod’s pitch-dark “eat the rich” comedy, set in the world of high art Haute cuisine. As Fiennes gleefully chews the scenery as a Jim Jones-esque chef, Taylor-Joy grounds the proceedings with grace notes of spiky defiance and winking humor. Already an under-the-radar theatrical hit, The Menu will re-heat well as a streaming-era staple. — E.A.
10. Black Panther: Wakanda Forever
Director-writer Ryan Coogler had the unenviable task of making a sequel to global phenomenon and Oscar Best Picture nominee Black Panther in the absence of Chadwick Boseman, who portrayed the titular hero before passing away from cancer in Aug. 2020 at the age of 43. Packed with stellar performances led by Letitia Wright (Shuri), Angela Bassett (Queen Ramonda) — both reckoning with grief and loss in the aftermath of T’Challa’s death — and newcomer Tenoch Huerta (Namor, the mutant god-like leader of underwater city Talokan), Coogler succeeds with the emotionally rich, visually stunning and action-packed Wakanda Forever. The sequel’s greatest strength lies in how it deals with the passing of T’Challa head-on, never shying away from the sadness of a life cut short too soon. The carefully-woven narrative manages to honor the legacy of Boseman without sacrificing its superhero thrills and still pushing the beloved franchise forward. Wakanda Forever is certainly the best of the MCU’s Phase 4, a film that managed to exceed unprecedented expectations. — C.N.
9. Descendant
In exploring the discovery of the sunken Clotilda, the last known slave ship to arrive in the U.S. (more than half a century after the trafficking and sale of human bodies was outlawed) in Alabama’s Mobile River, documentarian Margaret Brown also turns the lenses on the people of Africatown, known descendants of the enslaved people on that ship, in this phenomenally illuminating and profound history lesson. In turn Descendant makes one of the most striking arguments for reparations ever put on film, the people of the reeling, polluted Africatown still being victimized by the same wealth and racial power structure today that existed in the 19th century. The argument “but that was hundreds of years ago” simply doesn’t cut it here. — K.P.
8. Weird: The Al Yankovic Story
It took Stanley Kubrick and company 400 days to shoot the master filmmaker’s final movie, Eyes Wide Shut, which he called his “greatest contribution to the art of cinema.” It took Eric Appel and company only 18 days to film this actual masterpiece, and I call it that with only the slightest hint of hyperbole. Of course, a Weird Al “biopic” is complete farce, somewhere around 3 percent true, according to Appel. Yankovic is one of our greatest satirists of all time. And Daniel Radcliffe and Evan Rachel Wood are Oscar-worthy (again, only slight hyperbole) as Weird Al and his “girlfriend” Madonna. Between Spinal Tap, Walk Hard, Popstar and now Weird, here’s hoping Hollywood never stops making fake music biopics. — K.P.
7. Tár
Todd Field’s penetrating drama isn’t technically a documentary… but don’t be alarmed if you come out of the film believing Lydia Tár is a real person. That’s how deeply Cate Blanchet burrows into the role of the titular conductor, who experiences an epic fall from grace over the movie’s expansive two-and-a-half-hour runtime. Directed with pinpoint precision by Field, Tár is one of the most intensely insular movies ever made, with audiences invited inside of Lydia’s increasingly troubled mind as she goes from celebrated to canceled. It’s a ride that might be too intense for some, but if you’re on the movie’s peculiar wavelength, it’s a symphony of greatness. — E.A.
6. Top Gun: Maverick
‘Its a tall task to produce a sequel to any movie as ingrained in our culture as 1986’s Top Gun — the motorcycle ride to “Take My Breath Away,” swooping fighter jets, that volleyball game and the bar scene with pilots serenading their instructor — let alone 36 years later. But somehow director Joseph Kosinski, returning star Tom Cruise and company did it. They forged an action movie entirely fit for 2022, with just enough nostalgia sprinkled in to make fans of the original cheer. No wonder it was also a big-time winner at the box office, becoming the fifth highest grossing movie of all time. — R.S.
5. Glass Onion: A Knives Out Mystery
Rian Johnson has done it again. It would’ve been damn near impossible to top the writer-director’s brilliant 2019 whodunit Knives Out with this highly anticipated follow-up. But the fact that he comes even close is a triumph in itself. Glass Onion is just as star-studded (an Elon Musk-like Edward Norton! Janelle Monae! Kate Hudson! Daniel Craig again, of course!) and again takes some mercilessly hilarious stabs at the rich and the right, but it’s also a far showier affair, leaving New England for a private Greek island overflowing with tech gadgetry. Most impressively, though, is how Johnson once again crafts an impossibly meticulous murder mystery that’s ridiculous fun lies in peeling off its layers – and maybe crying some with laughter, too. — K.P.
4. The Fabelmans
In the wake of Avatar 2 premiering, there’s been a lot of talk about “betting against James Cameron.” Namely that you should never do it. What about Steven Spielberg? Was there ever any doubt that his most personal story yet, the heavily autobiographical Fabelmans, would also be one of the best films he’s ever made? It’s fascinating watching his cinematic alter-ego, Sammy Fabelman (Gabriel LaBelle) fall in love with filmmaking, sure, but the deep emotional resonance of Spielberg’s self-told biopic comes with the heartfelt revelations he makes concerning the demise of his parents’ (Michelle Williams and Paul Dano, both stellar) marriage. Plus that final scene (and surprise cameo) is an absolute banger. — K.P.
3. The Woman King
Move over Maximus, and back to the rack with you, William Wallace. Viola Davis looks Gladiator and Braveheart right in the eye and says, “Hold my sword.” The dramatic powerhouse-turned-action star headlines Gina Prince-Bythewood’s rousing period epic, which elevates history into myth — much like the films the director is clearly inspired by. Set in 19th century Africa, it deals directly with the continent’s brutal legacy of slavery in the context of a dramatic story about mothers and daughters. And did we mention the action? Prince-Bythewood stages multiple battle sequences that’ll leave you rattled and rolled. — E.A.
2.The Banshees of Inisherin
British-Irish writer-director Martin McDonagh has made a lot of fans over the years with sometimes violent, darkly comedic crime fables like In Bruges (2008) and Three Billboards Outside Ebbing, Missouri (2017). Banshees, however, is the most glorious thing he’s done yet. McDonagh loses the crime element, mostly — unless suddenly deciding you no longer like your best friend and drinking buddy is a crime (and it should be), as is the case with the stubborn Colm (Brendan Gleeson) and poor Pádraic (Colin Farrell), which it should be. This delightful, hilarious, moving and just-bloody-enough gem features Farrell’s best performance to date and infectious “fecking” Irish dialogue as memorably distinct as Fargo’s Midwestern quips. One of the few movies from 2022 we we’d watch over and over. — K.P.
1. Everything Everywhere All at Once
The best superhero movie of the 2022 also happens to be the best film of the year. But in a twist, this feature wasn’t churned out by the Marvel machine or the DC crew; and instead of a Hollywood Chris, it was fronted by an unlikely, middle-aged duo of Michelle Yeoh and former Goonie Ke Huy Quan. Everything Everywhere All at Once is a heart-rending dysfunctional-family dramedy disguised in trippy, action-packed multiverse mayhem, at turns breathtaking and mind-boggling. A rewarding watch, no matter which universe you’re from. — M.E.
And the five worst…
5. Don’t Make Me Go
A bittersweet father-daughter road trip dramedy starring John Cho, whom we agree should be starring in pretty much everything? We were prepared to love the stuffing out of Don’t Make Me Go, which follows a terminally ill single father who drives his daughter across the country to meet the mother who abandoned her. Most of the movie itself is fine – never that funny, never that heavy, never that memorable. But its god-awful ending is one of the worst, most manipulative climaxes we’ve seen since Robert Pattinson died on 9/11 in Remember Me. We won’t spoiler it here, but please don’t let anyone make you go and find out. — K.P.
4.Hotel Transylvania: Transformania
You’d think losing one of its main stars, especially when that star is Adam Sandler, would contribute to the fourth installment of Hotel Transylvania being a total yawn. But to his credit, Brian Hull fills in dutifully for The Sandman (who must’ve really known considering he passed up that sweet, relatively easy animated franchise money) fills in dutifully as Drac. Beyond finally revealing what The Invisible Man looks like (grasping at straws here), the plodding, very sporadically entertaining Transformania offers nothing new. Critic Christy Lemire said it best, though: “There’s no reason for this movie to exist.” — K.P.
3. Deep Water
Once upon a time, a sex-drenched, star-powered drama overseen by Adrian 9 1/2 Weeks Lyne would have gotten moviegoers all hot and bothered. Sadly, not even the prospect of seeing real-life exes Ben Affleck and Ana de Armas get it on onscreen could put a pulse into Lyne’s first film in 20 years. To be fair, this adaptation of a Patricia Highsmith novel feels like it was heavily re-edited after the fact to omit the salaciousness that run underneath the director’s signature works in favor of a more somber tone. Fatal Attraction? More like, Fatally Boring. — E.A.
2. Moonfall
In a generously candid Director’s Reel interview, Roland Emmerich (Independence Day, The Day After Tomorrow, 2012, etc.) admitted he’s never been very fond of the “master of disaster” nickname he’s been bestowed. And yet he keeps making them. Unfortunately, Moonfall might be his most disastrous release yet, an epic box office bomb that can’t even make its absurdly ridiculous B-movie premise (yep, the moon is actually falling, which spells certain doom for Earth!) remotely watchable. — K.P.
1. Morbius
Despite Jared Leto’s best efforts, Morbin’ time was over before it even began. After extended COVID-related delays, Sony’s Spider-Man spin-off about Marvel’s vampish anti-hero finally arrived in theaters where it promptly withered like a bloodsucker who went too long between feedings. And while Morbius acquired a temporary second life as an internet meme, that didn’t translate into ticket sales. Sony is still forging ahead with plans for a live action Spider-Verse with the upcoming Kraven the Hunter and Madame Web films, plus another Venom sequel. But Leto’s living vampire seems DOA for now. — E.A.
Hot on the heels of their Netflix docuseries “Harry & Meghan,” Prince Harry and Meghan, the Duchess of Sussex have set a new docuseries with the streamer titled “Live to Lead.”
They will executive produce the series and may also make an appearance in it if the trailer is anything to go by. The couple both appear in the almost two-minute long preview clad in black against a white background.
“This was inspired by Nelson Mandela, who once said ‘What counts in life is not the mere fact that we have lived,’” the British royal says before Meghan adds: “It is what difference we have made to the lives of others that will determine the significance of the life we lead.”
“It’s about people who have made brave choices,” Harry continues at the end of the trailer.
Meghan adds: “To fight for change and to become leaders” before Harry concludes “And giving inspiration to the rest of us. To live, to lead.”
The 7-part series will feature interviews with world leaders including New Zealand Prime Minister Jacinda Ardern, social justice attorney and advocate Bryan Stevenson and U.S. Supreme Court Associate Justice Ruth Bader Ginsburg (pictured below, left to right), enabling them to “share messages of courage, compassion, humility, hope and generosity.”
The series, which is said to have been inspired by Nelson Mandela’s legacy, is produced by Blackwell & Ruth in association with The Nelson Mandela Foundation, the Sussexes’ production company Archewell and Cinetic Media.
Other interviews in the series include climate change activist Greta Thunberg, South Africa’s national rugby union team captain and social inequality campaigner Siya Kolisi, feminist activist Gloria Steinem and anti-apartheid activist and former Justice of the Constitutional Court of South Africa Albie Sachs.
Prince Harry and Meghan will exec produce the series alongside Ben Browning and Chanel Pysnik for Archewell with Geoff Blackwell Ruth Hobday exec producing for Blackwell & Ruth and John Sloss for Cinetic.
Blackwell will direct the series, which he conceived alongside Hobday when they worked on a book about Mandela in 2018.
“As we worked to absorb 27 years of Mandela’s personal correspondence, reflecting on his brave and selfless commitment to the welfare of others, we were simultaneously confronted by a news cycle relentlessly focused on certain international politicians behaving in precisely the opposite way— shamelessly pursuing their own self-interest, using tactics of division and misinformation to serve power and not the people,” Blackwell said in a statement.
“This contrast cemented our resolve to honor Mandela’s values by surfacing the stories of leaders who distinguish themselves through their moral courage, the conviction of their ideals and values, and their prioritization of others. We have been Mandela’s publisher for over a decade and we are fortunate to have a close relationship with the Nelson Mandela Foundation. When we approached them, they warmly agreed to join us in seeking out these inspiring individuals and asking them to agree to be interviewed.”
“The experience of interviewing them and sharing their stories has been an enriching one for all of us. Through their example, these leaders remind us of our own capacity for leadership and the best part of our humanity at a moment when the world needs true leaders, more than ever.”
“I can confirm that Justin Edison, Megan’s bodyguard, was set to testify in court, did not appear, and is now missing,” Megan’s attorney, Alex Spiro, told Insider. “Law enforcement is investigating the matter,” he added.
Edison’s last post on Instagram is dated December 2. Besides working as a bodyguard, he is a certified physical trainer, according to his page. Details surrounding when and where he was last seen are not clear.
The prosecutors and the defense team agree that an argument ensued in the car when the group left Jenner’s house, though they gave conflicting descriptions.
While Edison was not present the night of the conflict, Harris texted him from the car: “Help. Tory shot Meg. 911,” prosecutors said in court this week.
The day after the shooting, Edison went to Lanez’s home to pick up Megan’s belongings, Deputy District Attorney Alexander Bott said during opening statements on Monday. Bott said Edison told prosecutors that Lanez’ confessed to being “too drunk” and shooting in the air and at the ground the night of the incident.
Lanez was charged with assault with a semiautomatic firearm, personal use of a firearm, and carrying a loaded, unregistered firearm in a vehicle. Lanez was also hit with a new charge earlier this month of discharging a firearm with gross negligence relating to the conflict.
Lanez pleaded not guilty. If convicted, Lanez faces up to 22 years in prison.
“When I get out the car, I hear Tory say ‘Dance, bitch,'” Megan said in her testimony, adding that gunfire started immediately. “I froze. I’m in shock, I’m scared. I can’t believe he’s shooting at me.”
The trial is set to resume on Monday.
The LAPD and the LA District Attorney’s Office did not immediately respond to Insider’s request for comment.
It’s been a turbulent year for Gisele Bündchen, but the supermodel is ending it on a high note.
According to her latest Instagram post on Sunday, the 42-year-old star is soaking up some quality time with her family in her native Brazil. Bündchen, whose divorce from NFL quarterback Tom Brady was finalized in October, shared shots from her visit home with children Vivian, 10, and Benjamin, 13, in tow.
“Recharging with my little ones in the country of my [heart],” Bündchen captioned a series of photos documenting everything from her meals to cuddles with her kids. One shot sees the catwalk queen wearing a leopard-print bikini as she basks in the sun by the ocean,
The famously wellness-minded model and activist is also squeezing time for self-care, appearing to meditate by the sea in her workout gear.. Later, she makes a heart with her hands, a blissful expression on her face.
“I feel better at 40 than I felt at 30, I can tell you that much,” she shared.
“I think the 40s are going to be awesome,” she added. “The 20s were a little challenging, I’m not going to lie. The 30s, I was getting a grip on stuff. Now the 40s, I’m like, ‘Let’s go!’”
The producer and anti-Semite tweeted an odd image of the NBA player after a crazy day of publicly celebrating Hitler and Nazis on InfoWars with Alex Jones. Kanye West “signed off” for the evening from social media with a serious charge as he continues to dig a deeper hole around his persona. He tweeted an image of a page with a portrait of NBA player Chris Paul in yet another odd social media post. The caption once again astounded social media: “Before we go, let’s bust one more windows. I saw this man with Kim. good nite” This tweet sent Twitter and the rest of the world into a frenzy of reactions, making the antisemitic comments that came before feel like a footnote. He had been on InfoWars with Alex Jones and Nick Fuentes and basically said he “likes Nazis” and publicly praised Adolf Hitler.
Despite the tweet’s largely cryptic tone, the connotation was obvious: according to West, Chris Paul and Kim Kardashian had a past. It is unknown if it happened recently or was an affair that took place while they were still married. It is also uncertain if the charge is true or false considering Kanye West’s recent, more than obvious slide. However we have learned in the past that it might be controversial, but when Ye says something it’s most probably true. Following the shocking revelation, a picture of Drake and Kanye West’s fight from last year started circulating online, indicating that the Toronto rapper was aware of Kim Kardashian and Chris Paul’s rendezvous and used it as fodder to taunt his rival. Drake and two buddies are seen in the image, which was first shared on his Instagram Story, promoting his then-upcoming album Certified Lover Boy while donning various Chris Paul jerseys. While his friends are sporting New Orleans Hornets shirts, Drizzy can be spotted wearing Paul’s #3 Suns jersey. They all three seem to be laughing at the prank. The photo’s caption says, “September 3 CLB.”
In the months leading up to the release of their respective albums, Certified Lover Boy and Donda, Drake and Ye engaged in a lot of social media and song-based sparring. Drake is also reported to have hooked up with Kim Kardashian during her marriage to Kanye West. At J. Prince’s request, the two ultimately broke their feud and reconnected on stage for the “Free Larry Hoover” charity performance in Los Angeles that December. Even though the two Hip Hop powerhouses have appeared to be getting along since then, Drake recently questioned the genuineness of their ceasefire by claiming he just made up with Ye as a favour to J. Prince.
On “Circo Loco,” a song from his collaborative album with 21 Savage, Her Loss, he rapped, “Linking with the opps, bitch, I did that shit for J. Prince / Bitch, I did it for the mafia ties.”
Regarding his marriage to Kim Kardashian, Yeezy recently settled his divorce following a protracted and occasionally nasty court fight. In addition to splitting up their different assets, the ex-billionaire rapper allegedly agreed to give Kardashian $200,000 per month in child support payments for their four children. A million things are happening around Ye right now, and although they’re buzz-worthy, it feels like he continues to dig himself into a hole that he might not be able to crawl out from. After his erratic comments and tweets, even Elon Musk has grown tired of him and has suspended his account on the platform. As for Chris Paul and his wife Jada, they are yet to respond to the allegation.
“I’ve been away,” Smith quipped at the start of the interview. “What you all been doin’?”
Smith said he has “no independent recollection” of the night, which saw him storm the stage to hit Rock and then curse him out from his seat. The actor, triggered by a joke made about his wife Jada Pinkett Smith’s hair, went on to win a Best Actor Oscar that night for King Richard.
“That was a horrific night, as you can imagine,” Smith went on to say. “There’s many nuances and complexities to it, but at the end of the day, I just — I lost it, you know? And I guess what I would say, you just never know what somebody’s going through. In the audience right now, you are sitting next to strangers, and somebody’s mother died last week. Somebody’s child is sick. Somebody just lost their job. Somebody just found out their spouse cheated.”
He continued, “There’s all these things, and they’re strangers, and you just don’t know what is going on with people. And I was going through something that night. Not that that justifies my behavior at all. You are asking, what did I learn, and it is that we just got to be nice to each other, man. You know? It’s hard.”
Smith said “the thing that was most painful” for him is that “I took my hard and made it hard for other people. I understood the idea when they say hurt people hurt people.”
Noah, who said he knows both Smith and Rock, talked about how Smith wrote in his 2021 book about always being afraid of conflict — from the time when he was a boy and he witness his father abuse his mother. Noah suggested that it was Smith standing up for the wrong thing at the wrong time.
“It was a lot of things,” Smith replied. “It was the little boy that watched his father beat up his mother. All of that just bubbled up in that moment. I just — that’s not who I want to be.”
Noah said, in his opinion, Smith made a mistake — as Smith blotted his eyes with a tissue and said, “Now I’m crying for real” — but also made clear what Smith did was “f***ed up.”
“I understand how shocking that was for people,” Smith said. As for himself, “I was gone. That was a rage that had been bottled for a really long time.”
Smith went on to tell a story about his 9-year-old nephew being at his house on Oscars night and watching the telecast.
“He is the sweetest little boy,” he said. “We came home and … he had stayed up late to see his Uncle Will. We are sitting in my kitchen and he is on my lap and he is holding the Oscar and he is just like, ‘Why did you hit that man, Uncle Will?'” Smith began to tear up again. “It was a mess,” he said, wiping his eyes. “I don’t want to go too far into it to give people more to misunderstand.”
“I hope their work will be honored and not be tainted based on a horrific decision on my part,” Smith said.
Noah told Smith he hopes that he doesn’t stay hidden forever as a result of the incident. He urged him not to bottle up his feelings, and to embrace that he’s not perfect. “You’re Will Smith, man,” Noah told him. “We love you.”
“That was one of the big things for me over this last couple of months,” Smith said in conclusion, “that I had to forgive myself for being human. And it’s like trust me — there is nobody that hates the fact that I’m human more than me. Finding that space for myself for myself within myself to be human. I’ve always wanted to be Superman… I had to humble down and realize I’m a flawed human…”
Smith resigned from the Academy after the March 27 incident and was subsequently banned from attending the Oscars for 10 years. However, he’s still eligible to be nominated for Best Actor for Emancipation. That film — about an enslaved man who risks his life for his family and freedom — comes out Dec. 9.
Balenciaga ambassador Kim Kardashian is speaking out after the luxury fashion house was embroiled in controversy for its recent holiday campaign.
Kardashian released a statement on the Balenciaga campaign, which drew backlash for referencing child pornography and featuring child models alongside fetish imagery, via her Instagram Story on Sunday.
The reality-television star turned beauty mogul said she was “shaken” by the campaign’s “disturbing images.” Kardashian added that she’s currently reevaluating her professional relationship with Balenciaga.
“I have been quiet for the past few days, not because I haven’t been disgusted and outraged by the recent Balenciaga campaigns, but because I wanted an opportunity to speak to their team to understand for myself how this could have happened,” Kardashian wrote. “The safety of children must be held with the highest regard, and any attempts to normalize child abuse of any kind should have no place in our society — period.”
She continued: “I appreciate Balenciaga’s removal of the campaigns and apology. In speaking with them, I believe they understand the seriousness of the issue and will take the necessary measures for this to never happen again.”
Balenciaga found itself in hot water when its holiday campaign drew the ire of social media users and activists, according to the New York Post, Cosmopolitan UK, and Fox News.
One advertisement from the campaign featured child models holding the brand’s “plush bear bags,” teddy bears dressed in bondage gear, while another ad promoting its “Hourglass” handbag contained court documents that referenced Supreme Court cases on child pornography.
“We sincerely apologize for any offense our holiday campaign may have caused,” the company wrote. “Our plush bear bags should not have been featured with children in this campaign. … We strongly condemn abuse of children in any form. We stand for children safety and well-being.”
Regarding the display of court documents in its campaign, the fashion brand said it’s pursuing legal action against “the parties responsible for creating the set and including unapproved items.” The Post reported that Balenciaga filed a $25 million lawsuit Friday against production company North Six, Inc. and set designer Nicholas Des Jardins for use of the legal documents in the campaign.
Gabriele Galimberti, one of the photographers for the campaign, also weighed in on the scandal Wednesday, saying that he had no involvement in the photoshoot’s setup.
“As a photographer, I was only and solely requested to lit the given scene and take the shots according to my signature style,” Galimberti wrote on Instagram. “As usual for a commercial shooting, the direction of the campaign and the choice of the objects displayed are not in the hands of the photographer.”
Hope and trust are the two main forces that drive a progressive society. Therefore, leadership must constantly encourage followers to have HOPE, which will drive them to place TRUST in the leadership. Politics fails when there is a lack of either HOPE or TRUST. This is the situation in Nigeria right now, which has led to protests, an increase in crime, migration away from the country due to frustration, etc. It is from this dire nadir that the desire for Peter Obi rose.
The Labour Party’s (LP) nominee for president in the 2023 election, Peter Obi, could not have stated it more eloquently when he declared that the election in 2023 is about who the electorate can TRUST. And trust does not simply come from a leader or aspirant to leadership telling the public to have faith in them. The foundation of a leader’s credibility is their track record of morality, ability, and dedication to serving others without consideration for personal gain. Those are the boxes that Peter Obi has ticked in the hearts of Nigerians. Mr Obi has succinctly said that while there is a Nigeria, there have for a long time not been Nigerians. Nigerians have not enjoyed Nigeria. This is a very relatable point. The burning desire by Nigerians to see a turnaround in the country underscores the reason why Nigerians are flocking to Peter Obi and the Labour Party.
In order to give Nigerians a fresh lease on life, it is urgently anticipated that a new dawn will quickly appear there. People are tired of things as they are. Any political program with the potential to bring about the desired revival becomes the centre of attention.
As it were, selfish and greedy politicians have caused immense misery, agony, and suffering for Nigerians. The economic and political system is in ruins. In Nigeria, long-suffering is the norm as citizens struggle under oppression. Understandably, the virtue of patience has been overused to the point of exhaustion.
It is pretty much a fact of the Nigerian existence that Nigerians have been denied the good things in life since independence while the nation has been raped and debased. On October 1, 1960, the yearning for a prosperous nation began. That wish did not come true. Less than six years after gaining independence, the nation was engulfed in a brutal fratricidal civil war that shattered the political and economic trajectory and lost more than a million lives.
The military gained control of the government after the war ended in January 1970, but Nigerians kept hoping for a prosperous and functional nation. Between October 1979 to December 1983, there was a disappointing civilian interregnum. The civilians brought back the military by acting out corruption and poor leadership.
